Introduction In part one of this three-post series (go here) I presented Agnes Heller’s account of the modern and postmodern worldviews and how she thinks postmodernism leaves us with “life on the railway station” or the state of being radically… Read more ›
Introduction In part one of this three-post series (go here) I presented Agnes Heller’s account of the modern and postmodern worldviews and how she thinks postmodernism leaves us with “life on the railway station” or the state of being radically… Read more ›
Introduction Agnes Heller (1929-2019) was a Hungarian philosopher who, among many other things (see a bio here), was Hannah Arendt Professor of Philosophy at the Graduate Faculty of the New School for Social Research for 25 years. I took four incredible… Read more ›
One of the ancient Greek philosopher Aristotle’s (384-322 BC) most enduring contributions is his analysis of eudaimonia, a word that can be variously translated as happiness, fulfillment, flourishing, or well-being. His analysis appears to have lost none of its power… Read more ›
Kant Immanuel Kant, in his Critique of the Power of Judgment (1790), offered the most influential and interesting theory of delightful terror or the sublime. He discusses two forms of the sublime in sections 25-28 of his book, namely, the mathematical and… Read more ›
Immanuel Kant (1724-1804) argued that the phenomenal world we experience – the world of space and time with unified objects that are causally related – is the outcome of our minds giving form to sense data. Or, to use his… Read more ›
Venus is the Roman name for the Greek Aphrodite, the Goddess of beauty. For Plato, the Beautiful Itself is transcendent, not itself in the physical world, and yet can be detected in the world. Our capacity to detect it reminds… Read more ›
Plato (detail from Raphael’s The School of Athens) When we engage in the philosophical activity of ethics we ask questions like: what are right and wrong actions? What does it mean for something to be good or bad? What is… Read more ›
Fighting the Gravity of Vice: An Essay on Nicolas Roeg’s The Man Who Fell to Earth Dwight Goodyear Introduction (Spoiler Alert) The cult classic The Man Who Fell to Earth (1976) is one of my favorite films. It was directed… Read more ›
Martha Nussbaum, in her book Not for Profit: Why Democracy Needs the Humanities (Princeton, 2011), observes that “The humanities and the arts are being cut away, in both primary/secondary and college/university education, in virtually every nation of the world. Seen… Read more ›
Directions for making an anamorphic projection from Jean-Francois Niceron’s La Perspective Curieuse (1652) Introduction I recently realized that some of the most powerful lessons I have encountered in philosophy share a dynamic which can be elucidated with the help of… Read more ›
Donald Judd, Untitled (1980-84) The art movement known as minimalism is not easy to define and, when applied to artists, their works, and their audiences, usually ends up oversimplifying things. Nonetheless, there is a set of family resemblances that can… Read more ›
The instrumental approach to art emphasizes art’s functionality. Art can certainly have many functions. But many argue its ability to help us understand things is among its most important (perhaps the most important). Such people usually embrace aesthetic cognitivism or… Read more ›
Most of my life I have been playing and appreciating music. Over the decades I have to admit there are times when I think music is alive. I feel the presence of a subject rather than an object. Some works… Read more ›
Our experiences of beauty and duty appear to be very different. Immanuel Kant (1724-1804), in his book Critique of Judgment, argued that judgments of the beautiful must be “disinterested.” This means that we make these judgments (1) without concern for the truth; (2) without… Read more ›