The instrumental approach to art emphasizes art’s functionality. Art can certainly have many functions. But many argue its ability to help us understand things is among its most important (perhaps the most important). Such people usually embrace aesthetic cognitivism or… Read more ›
Most of my life I have been playing and appreciating music. Over the decades I have to admit there are times when I think music is alive. I feel the presence of a subject rather than an object. Some works… Read more ›
Evil, after many years of neglect in ethics, has returned as a topic of interest since at least 9/11. One of the things that characterizes this return is the use of science. Traditionally, evil has been understood as a phenomenon… Read more ›
The more the form and material of a work are disregarded in favor of its subject matter the more we seem to lose a work of art. So, suppose we are listening to a folk musician with a compelling political… Read more ›
Introduction Plato, in his dialogue Symposium, has his character Eryximachus present a speech in praise of love that is really a speech in praise of himself and his abilities as a doctor. As a doctor, he claims to possess an… Read more ›
Is there a relationship between beauty and freedom? If we accept some central ideas about beauty from Immanuel Kant we can say that there is. In this essay I want to show how, given Kant’s analysis, we can discern some… Read more ›
There is certainly something wonderful about people expressing themselves without any formal training. For example, the punk movement included many young people who just decided to form a band and THEN learned a little bit in order to be heard.… Read more ›
In a previous post (see here) I presented an essay exploring the relationship between freedom and critical thinking. Here I want to briefly suggest that human freedom, that most elusive yet visceral of phenomena, can be understood in a very… Read more ›
In part one of this series we saw how aesthetics can play a role in global education (see here). Let’s continue by looking at some other ways aesthetics can help us learn. In his book The Aesthetic Understanding, Roger Scruton points… Read more ›
The Danish proto-existentialist philosopher Soren Kierkegaard (1813-1855) put forth an intriguing account of the demonic in chapter 4 of his eccentric work The Concept of Anxiety (see the Princeton edition translated by the Hongs). Kierkegaard claims the demonic person has “anxiety about the… Read more ›