137. Ingmar Bergman’s Metaphysical Reduction, Part 2: Winter Light

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

136. Ingmar Bergman’s Metaphysical Reduction, Part 1: Through a Glass Darkly

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

132. An Argument for Substance Dualism

I have been thinking a lot about what philosophical positions might be implied by the fact that we present and evaluate arguments. Consider this argument or set of premises from which a conclusion is derived: Premise 1: All humans are Read more ›

125. Is Truth Human?

Truth, for so many thinkers throughout history, has been seen as existing independent of human minds. But it seems far more sensible to embrace an anthropological account of truth which Robert Adams nicely describes as the view “that the truths Read more ›