Thanatos, death, has swallowed many things into oblivion. It undoes and thwarts so much growth in the world. It may ultimately prevail…but Eros, love, isn’t going to make it easy. Plato, in his dialogue on love Symposium, does a lot… Read more ›
In previous posts we have seen ways in which Eros (erotic love) can imply, lead to, or be thwarted by Thanatos (death). Here is yet another example of a relation between the two. In his book The Meanings of Love… Read more ›
In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in… Read more ›
In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in… Read more ›
In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in… Read more ›
The beautiful colors of Spring have emerged yet again from the seemingly endless days of white, gray, brown, and black. The once frozen ground and mutilated remnants were concealing hidden folds of life waiting to unfold. According to the enlightenment… Read more ›
In previous posts we have seen ways in which Eros (love) can imply, lead to, or be thwarted by Thanatos (death). Here is yet another example of a dynamic relation between the two from Alfred North Whitehead. In his book… Read more ›
In the last post I introduced Plato’s argument for the immortality of the soul in Book X of his dialogue Republic (all quotations will be from Cornford’s translation). I then discussed the argument’s central claim – the essential destructibility claim –… Read more ›
In post #55 (go here) I explored, with reference to Freud, the dynamics of eros (love) and thanatos (death). Here I would like to continue these reflections with reference to Plato. In his dialogue Symposium, Plato has his character Socrates… Read more ›
Sigmund Freud, in Civilization and Its Discontents, claims, like the pre-Socratic Empedocles before him, that there are two “Heavenly Powers” or mutually opposing instincts: Eros and Thanatos. Freud characterizes these two principles as follows: eros is the instinct to conserve… Read more ›
Tristan Tzara, in his Dadaist Manifesto of 1918, argued that Dadaists were out to “assassinate beauty”. But why would anyone want to assassinate beauty? In the previous post in this series (go here) I discussed, with reference to Plato’s Symposium,… Read more ›
I suspect that anyone who writes on the subject of death has a moment when he or she wonders whether it is better to agree with the Zen monk Toko who, in his dying moment, tells us in a death… Read more ›