Kant Immanuel Kant, in his Critique of the Power of Judgment (1790), offered the most influential and interesting theory of delightful terror or the sublime. He discusses two forms of the sublime in sections 25-28 of his book, namely, the mathematical and… Read more ›
Donald Judd, Untitled (1980-84) The art movement known as minimalism is not easy to define and, when applied to artists, their works, and their audiences, usually ends up oversimplifying things. Nonetheless, there is a set of family resemblances that can… Read more ›
Immanuel Kant (1724-1804) Introduction We sometimes refer to experiences, things, and even people as sublime. In doing so we try to convey something exalted, overwhelming, astonishing, and even infinite about them. We may also try and express feelings of delight… Read more ›
Friedrich Nietzsche (1844-1900), in his book Daybreak (1881), wrote: “On Education. – I have gradually seen the light as to the most universal deficiency in our kind of cultivation and education: no one learns, no one strives after, no one… Read more ›
Friedrich Nietzsche (1844-1900), in his book Daybreak (1881), wrote: “On Education. – I have gradually seen the light as to the most universal deficiency in our kind of cultivation and education: no one learns, no one strives after, no one… Read more ›
Many of our efforts at self-examination presuppose at least a sense of things we don’t know. We sense our life is inadequate and take steps to acquire more knowledge to remove our ignorance. We widen our scope, gain new perspectives, and… Read more ›
Immanuel Kant (1724-1804) argued that the phenomenal world we experience – the world of space and time with unified objects that are causally related – is the outcome of our minds giving form to sense data. Or, to use his… Read more ›
Clive Bell (1881-1964) We all value things: people, places, animals, things, and so on. When we think about the nature of our valuing we discover that we value some things instrumentally – we see them as a means to an… Read more ›
Fighting the Gravity of Vice: An Essay on Nicolas Roeg’s The Man Who Fell to Earth Dwight Goodyear Introduction (Spoiler Alert) The cult classic The Man Who Fell to Earth (1976) is one of my favorite films. It was directed… Read more ›
Many philosophers of the enlightenment, inspired by the scientific revolution, thought of nature as a vast machine rather than a living organism. For example, Thomas Hobbes (1588-1679) opens his masterpiece Leviathan (1651) with some startling claims that reduce life to a series… Read more ›
A still from Ingmar Bergman’s thoughtful horror film The Hour of the Wolf Aesthetic expressions of horror are produced and enjoyed by people all over the world. But some bemoan such horror and do their best to avoid it. However,… Read more ›
Friedrich Nietzsche (1844-1900), in his book Daybreak (1881), wrote: “On Education. – I have gradually seen the light as to the most universal deficiency in our kind of cultivation and education: no one learns, no one strives after, no one… Read more ›
In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in… Read more ›
In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in… Read more ›
Soren Kierkegaard Introduction It is popular these days to think about evil from a scientific perspective that sees evil as, for example, a function of an improperly working brain. Such approaches typically remove free will and the more traditional parameters… Read more ›