For centuries it was understood that if something was art then it was beautiful. However, in the 19th and 20th centuries many artists turned their backs on beauty. Here we could think of various works created within the romantic movement… Read more ›
In part one of this series we saw how aesthetics can play a role in global education (see here). Let’s continue by looking at some other ways aesthetics can help us learn. In his book The Aesthetic Understanding, Roger Scruton points… Read more ›
What is an idea? According to Peter A. Angeles’ Dictionary of Philosophy we have the following candidates: Idea: (Gk., idea, “concept,” “class,” “kind,” “idea,” “mode,” “sort,” “species,” “form,” “nature,” “from eidos, “visual appearance,” “form,” and idein, “to see,” “to grasp conceptually”). 1. Anything that is… Read more ›
Many Enlightenment philosophers, such as G.W. Leibniz (1646-1716) and Christian Wolff (1679-1754), had argued aesthetic experience was potentially intellectual. They argued that the sole difference between sensation and thought is that thought is distinct and sensation is confused. In order… Read more ›
The Danish proto-existentialist philosopher Soren Kierkegaard (1813-1855) put forth an intriguing account of the demonic in chapter 4 of his eccentric work The Concept of Anxiety (see the Princeton edition translated by the Hongs). Kierkegaard claims the demonic person has “anxiety about the… Read more ›
The surrealists (go here for a helpful overview) were very influenced by Freud’s naturalistic approach to the mind as well as occult phenomenon. But they tried to distance themselves from both influences by, on the one hand, trying to probe the… Read more ›
In the last post I defined the uncanny as follows: The uncanny is an unsettling, even terrifying, experience of the familiar suddenly becoming unfamiliar at the same time (or the unfamiliar suddenly becoming familiar at the same time). The experience… Read more ›
The aesthetic category of the uncanny became popular in late romanticism (late 1800s), Gothic fiction, and a variety of art movements including surrealism, dadaism, and symbolism. This category is just as illuminating as the beautiful and the sublime, but it is… Read more ›
Romanticism was a philosophical, literary, and artistic movement that began in the late 1700s and ended at the end of the 1800s.[1] The movement was essentially a reaction to the Enlightenment movement and was therefore essentially a reaction to (1)… Read more ›
In Japanese aesthetics yūgen refers to those moments when we feel as if we have had a partial glimpse into a hidden reality. Such a glimpse is felt to be profoundly mysterious. It is also experienced as beautiful. According to… Read more ›
Plato’s pupil Aristotle claimed that the “chief forms of beauty are order and symmetry and definiteness, which the mathematical sciences demonstrate in a special degree”. For many, THE chief form of beauty is the golden ratio. Two quantities are in the… Read more ›
Many of us think that virtue is connected with measure. Vice arises when people are excessive or deficient with regard to their emotions and actions. For example, a character disposition to get excessively angry at the wrong time, toward the… Read more ›
Soren Kierkegaard The Danish existentialist philosopher Soren Kierkegaard (1813-1855), via his pseudonym Vigilius Haufniensis (a Latin transcription for “the watchman of Copenhagen”), put forth a disturbing and ground-breaking account of demonic evil in chapter four of his 1844 work The Concept… Read more ›
Agnes Martin, Falling Blue (1963) In his book Human, all too Human (Cambridge University Press, 1986), Friedrich Nietzsche (1844-1900) wrote: Without Melody: There are people who repose so steadily within themselves and whose capacities are balanced with one another so… Read more ›