26. Pits
Relish not only the sweet fruit but the pit at the core; the part hardest to digest, the part which alone can yield more.
Relish not only the sweet fruit but the pit at the core; the part hardest to digest, the part which alone can yield more.
What is an idea? According to Peter A. Angeles’ Dictionary of Philosophy we have the following candidates: Idea: (Gk., idea, “concept,” “class,” “kind,” “idea,” “mode,” “sort,” “species,” “form,” “nature,” “from eidos, “visual appearance,” “form,” and idein, “to see,” “to grasp conceptually”). 1. Anything that is… Read more ›
One of the most amazing things about the world in which we live is the technology of communication. The written word is printed and distributed quicker than ever before. We have satellite radio and hundreds of TV channels. And now… Read more ›
Many Enlightenment philosophers, such as G.W. Leibniz (1646-1716) and Christian Wolff (1679-1754), had argued aesthetic experience was potentially intellectual. They argued that the sole difference between sensation and thought is that thought is distinct and sensation is confused. In order… Read more ›
Michael Pacher, Saint Wolfgang and the Devil (1471–1475) Music—that art at once divine and satanic: more than all the others, it leads us into temptation! —Franz Liszt, December 1, 1877 Introduction In this essay I want to explore one way… Read more ›
The surrealists (go here for a helpful overview) were very influenced by Freud’s naturalistic approach to the mind as well as occult phenomenon. But they tried to distance themselves from both influences by, on the one hand, trying to probe the… Read more ›
In the last post I defined the uncanny as follows: The uncanny is an unsettling, even terrifying, experience of the familiar suddenly becoming unfamiliar at the same time (or the unfamiliar suddenly becoming familiar at the same time). The experience… Read more ›
The aesthetic category of the uncanny became popular in late romanticism (late 1800s), Gothic fiction, and a variety of art movements including surrealism, dadaism, and symbolism. This category is just as illuminating as the beautiful and the sublime, but it is… Read more ›
Romanticism was a philosophical, literary, and artistic movement that began in the late 1700s and ended at the end of the 1800s.[1] The movement was essentially a reaction to the Enlightenment movement and was therefore essentially a reaction to (1)… Read more ›
What does it mean to ask someone for forgiveness? Jesus said: “Father forgive them for they know not what they do” (Luke 23:34). This request, by yoking together forgiveness and ignorance, seems to contradict a necessary condition for forgiveness, namely,… Read more ›
The late Professor Michael Bobkoff passionately taught Honors Holocaust Studies at Westchester Community College in New York for many years. During his last semester (Spring 2012) he gave a talk about the challenges he faced over the years in teaching… Read more ›
Humans are able to think and speak about the world around them. What are the limits of this relationship between our reason (logos) and the things that reason encounters (being)? Nicholas Denyer, in his book Language, Thought, and Falsehood in… Read more ›
In Japanese aesthetics yūgen refers to those moments when we feel as if we have had a partial glimpse into a hidden reality. Such a glimpse is felt to be profoundly mysterious. It is also experienced as beautiful. According to… Read more ›
In his dialogue On Free Choice of the Will (Macmillan, 1964), St. Augustine (354-430 C.E.) argues that our minds can know truths that are eternal. For Augustine, something is eternal if it exists in a timeless, unchanging state. So eternal truths are unchanging… Read more ›
A note of caution: Plato wrote dialogues not treatises. These dialogues show the life of the philosophical mind at work: questioning, arguing, speculating, imagining, wondering, struggling, and understanding. They do not show finished results that we can confidently attribute to… Read more ›