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138. Ingmar Bergman’s Metaphysical Reduction, Part 3: The Silence

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

137. Ingmar Bergman’s Metaphysical Reduction, Part 2: Winter Light

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

136. Ingmar Bergman’s Metaphysical Reduction, Part 1: Through a Glass Darkly

In May 1963, the Swedish film director Ingmar Bergman (1918-2007) retrospectively described his films Through a Glass Darkly, Winter Light, and The Silence as a trilogy with a theme: “The theme of these three films is a ‘reduction’ – in Read more ›

121. Soren Kierkegaard’s Theory of Demonic Evil

Soren Kierkegaard Introduction It is popular these days to think about evil from a scientific perspective that sees evil as, for example, a function of an improperly working brain. Such approaches typically remove free will and the more traditional parameters Read more ›

118. Trump and Nietzsche: Alternative Facts, Power, and Tyranny

Sometime between 1883 and 1888 the philosopher Friedrich Nietzsche made a startling observation: “No, facts is precisely what there is not, only interpretations.” This view, which Nietzsche called perspectivism, has recently found an unparalleled analogue in American politics. For example, Read more ›