the uncanny – PHILOSOPHICAL EGGS

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250. Freud vs. the Socrates Syllogism: the Uncanny Denial of Death

Sigmund Freud (1856-1939) Introduction I recently reread Sigmund Freud’s brilliant essay “The Uncanny” (1919) and I came across a fascinating claim which I failed to adequately process in the past. It has to do with his psychoanalytic analysis of one… Read more ›

Dwight Goodyear

Aesthetics, The Soul

Freud, syllogisms, the uncanny

145. The Cognitive and Moral Worth of Halloween

A still from Ingmar Bergman’s thoughtful horror film The Hour of the Wolf Aesthetic expressions of horror are produced and enjoyed by people all over the world. But some bemoan such horror and do their best to avoid it. However,… Read more ›

November 4, 2017 4 Comments

Dwight Goodyear

Aesthetics, Metaphysics, Morality, The Soul, Truth

Cynthia Freeland, Dance of Death, Halloween, horror, memento mori, The Fog, the sublime, the uncanny

19. The Uncanny, Part 1

The aesthetic category of the uncanny became popular in late romanticism (late 1800s), Gothic fiction, and a variety of art movements including surrealism, dadaism, and symbolism. This category is just as illuminating as the beautiful and the sublime, but it is… Read more ›

December 5, 2012

Dwight Goodyear

Aesthetics, The Soul

Freud, the uncanny

Michael Maier, Atalanta Fugiens (1618)

In alchemical lore, the philosophical egg represents a domain in which diverse materials undergo a fusion into something new, the philosopher’s stone, which can help one become wise. Heraclitus said: “Lovers of wisdom should be enquirers into many things”. My blog, full of long and short posts, is committed to this diversity and offers a domain in which various ideas come together in illuminating and often puzzling ways: they are like philosophical eggs. Cracking and digesting them should bring you some surprises and, hopefully, some nourishing wisdom.

Photo by Jackson Byrnes

My name is Dwight Goodyear and I am a philosopher who loves to teach. I am professor of philosophy at SUNY Westchester Community College in New York (although this site should not be taken to express the opinions of WCC). I teach a variety of courses every year including logic, ethics, ancient/medieval phil., modern phil., phil. of art, and phil. of love. I received the SUNY Chancellor’s Award for Excellence in Teaching, the NISOD Excellence Award for Teaching, the Abeles Endowed Chair for the WCC Honors Program, and the SUNY WCC Foundation Award for Scholarship. I received my Masters and Ph.D. in philosophy from the New School for Social Research in NYC and wrote my dissertation under Richard J. Bernstein. My main areas of interest are aesthetics, American pragmatism, existentialism, and metaphysics. I am also a musician who composes, performs, and records experimental works for piano and guitar that I refer to as musical gates or compositions that feature a strong sense of passing into a realm of mystery and revelation. I have ten recordings available on iTunes, Amazon, CD Baby, youtube, and elsewhere. My website is accessible at the top of this page. When not working on philosophy and music I am spending time with my wife and son.

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